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Comfort from shade

It is easy to forget how important shade can be in the garden when the weather improves and sun shines. Some time spent directly under the sun is great, but toward the middle of the day, over lunch or tea, the need for shade becomes very apparent.

Umbrellas set in or to the side of dining tables or the most commonly used sources of shade, but why not develop this idea and install wall mounted retractable awnings or sails on frames that can be left with some flexibility to billow slightly in the wind.

We can also think beyond the Summer sun and consider more permanent structures such as elegant loggias or wooden pavilions that can provide shelter throughout the year and even act as outdoor rooms. 

Bold colour backdrops

Coloured walls can provide exciting backdrops for appropriate planting.

Luis Barragan made an art form out of construction large plain walls painted in vibrant colours, pink, orange and yellow being much loved favourites.

For many Barragan settings succulents and cacti were set apart and took on sculptural qualities, often near a body of water or waterfall.

Here we see massed dry planting in front of a cor-ten steel wall, intriguingly matched with a yellow wooden door and plain concete.   

Ficus caria, Cistus, Rosemarinus officianalis, Lavendula, Pennisetum and Alcea rosea sway gently and delicately in the breeze playing off the solidity of the steel. 

Classic furniture design

Much as landscape design is a response to space, environment and buildings, these same characteristics should also influence the choice of all important outdoor furniture from which the environment will be taken in over time.

Some choices are relatively easy, for example, Lutyens benches will sit happily in an Arts & Crafts inspired garden and Steamer chairs will look perfectly in keeping on a wooden deck by water.

The fashion for low seating light in colour will provide an inviting and contemporary place for spending time outdoors informally, but some surroundings will take and indeed demand furniture with greater character.

A great example can be seen in these 1970s table and chairs set in sub-tropical grounds. Their shape and colour juxtapose perfectly with the lush border planting.

Yellow love hate

Yellow is the primary colour for Spring, it appears early and keeps going, from January still in the depths of Winter through to May when the sun is warmer.

Winter Aconites, Crocus, Narcissi, Daffodils, Tulips. Flowers often with bold deep yellow hues.  It is often said that many women dislike yellow flowers, yet when pressed, most like or at least tolerate yellow blooms in the Spring.

Designing planting schemes yellow is useful to lift other colours, notably blue and purple. Given strong material colours such as red brick, yellow is useful as it challenges the dominance of the material colour to the eye.

It is certainly a colour people have opinions about, and used carefully, it can be very helpful in the landscape.

  

Holistic landscape composition

Balance and variety are key ingredients in developing successful landscapes and here at the Chion-In Temple in Kyoto one can analyse exemplary outdoor space. 

The setting is a building at the base of a small hillside. Key components include the large trees on the hillside adding volume and the low arched bridge crossing the wide pond that runs along the base of the hill. 

Planting then develops the space with mid height acer and cherry trees along the pond gradating the space from the large trees to the low pond. 

The final touch in creating a satisfying holisitic space here is the inclusion of lilies in the pond whose circular funnel leaves add shape and interest contrasting with the slopes and curves of the temple roof and pond bridge. 

Computer generated images

Communicating accurately the anticipated appearance of a landscape following completion of construction is an important challenge. Where building construction is taking place this is best done by closely collaborating with the architectural team.

For this residential scheme in Kent the developer required images for marketing material and here soft finishes applied to a computer generated images provide a good indication of what the landscape will look like next year.   

Light water ripples

There are many reasons to include water within the landscape; harnessing the play of light off water is one of them. 

Visiting a public park in northern Tokyo, Rikygi-en, when walking around large ponds surrounded by Japanese acer trees, light broke through the dappled shade created by the tree canopies. 

Upon hitting the surface of the pond the light was reflected up onto the underside of tree boughs illuminating their leaves.

A gentle breeze then made ripples on the water creating a memorable effect of light rippling under the lower tree branches. 

Early Autumnal colour

Being driven through New York State recently it was noticeable that pockets of early fall leaf colour were appearing. Stopping to investigate what was causing some trees to change colour earlier than others, we discovered that water was the main contributory factor. 

The leaves shown in this image belong to trees growing in a bog. Wet Springs and sunny Summers are regarded as the best weather conditions for generating Autumnal leaf colour as this leads to greater quantities of sugar being produced in the leaves. 

We have noted that on schemes where irrigation has been installed trees benefitting from increased water are producing more impressive end of year colour displays than others struggling without additional water.   

Relaxed French charm

Visiting the Mediterranean garden of a French friend Elisabeth in the Midi-Pyrenees you are struck by how relaxed the space has become. In late Summer the flowers have passed and the grass is long, but the rose covered pergola and iris along the path remain pretty. 

A lesson to take from this garden is that if you have strong structure, here walls, pergola, height changes, local materials, it is possible to allow the vegetation free rein allowing the space to become totally relaxed and possibly, for some, totally relaxing. 

The restrained planting range and use of limited materials means the space doesn't require you to take in lots of different things, rather you can wander quietly and observe the details of the nature that surrounds you. 

Print versus laser

The architects we worked with on a residential scheme in Kent built a model of the scheme using a 3D printer to create the main Victorian building, being transformed into seven apartments, and used this with a cardboard model representing four new houses and the grounds we are landscaping. 

The light colours of this model contrast with the darker colours of the model recently built by model makers for a mixed use scheme in Devon (see our blog post on 15 June 2016) where the model was made from wood and cork with laser cut and engraved wooden buildings. 

The pared back colour palettes of both models allow the viewer to consider design detail without being distracted by the influence of colour and we much prefer restrained palettes when representing future landscaping through both models and drawings.

 

 

Pared back repetition

Strong design can be achieved in many ways, but by paring back elements and careful positioning their use in large numbers, we focus clearly on the beauty of the few elements employed. 

This row of trees along the Thames frames the space and creates a protective atmosphere for us to enjoy. We look at the trees, under, above and through them. 

The only other elements here are lush green lawn and a low wall along the river and their minimalism allows us to study each element in the space separately and as a whole. 

Model additional dimension

On many large developments architectural models are made to communicate new or revised architecture and its surrounding landscape. 

Models offer a different dimension to perspective drawings and are real works of art painstakingly made by model makers.  

We're hugely impressed with the way in which the model maker has been able to illustrate the large water features we have developed as part of public space for a project in Devon. 

 

Decorating with plants

Just as interior designers rely upon layers of different textures, patterns and tones to develop successful rooms, we believe layering is an important tool in garden design. This image illustrates the depth that can be achieved within a limited space by successive planting layers in the foreground before the distant landscape is borrowed.

A brick pathway has been edged with lawn before Spring bulbs were planted in rows with a range of flowers continuing from February to May.  Only then do you find the ancient pear and apple espalier, which were planted only one month before this picture was taken. 

English Spring carpets


Bulbs planted en masse provide one of the most spectacular events of the spring. The trick is not to plant too many varieties that will flower at the same time, but succession planting is easily achieved with crocus giving way to narcissi possibly ahead of camassia or even late tulips or alliums. 

Here in the Delos garden at Sissinghurst Castle in Kent the ground is truly carpeted with pale blue multi headed Scilla messeniaca, appropriately from Southern Greece.

To maximize continued flowering in successive years feed after flowering, slow release granules work fine, and if planted in grass allow leaves to die back for a couple of months before mowing. 

Cape guest farm

Friends took on a small farm holding in the Western Cape of South Africa just over a year ago and have renovated the farmhouse and cottages, stocking the paddocks and fields with livestock before welcoming guests to stay. 

Situated on the lower gentle slopes of the Overberg Mountains the simplicity of the white washed buildings contrasts softly with the indigenous trees. 

As with many large sites further intervention with the landscape needed to be carefully considered and works were focused where they would provide maximum benefit, here around a large swimming pool for guests.  


Brazilian botanic fountain

On a recent trip to Rio de Janeiro we were intrigued to find that the central fountain in the 54 hectare botanic garden was made in Derby, England nearly 150 years ago. The Fountain of the Muses as it is known was installed in its current location in 1895. 

As with all landscape water features the technicalities of pumping, balancing and cleaning water need to be carefully considered when the mechanics are designed, engineered and installed. 

The resulting sounds, movement and light reflections from the play of water are priceless. 


Chilean framed height

Great photographs of landscapes give clues how we create satisfying landscapes. Here in Chile the vineyards are marked by strong diagonal paths introducing shape, energy and direction on the main horizontal plain. 

Seasonal planting of grasses and thistle heads in the foreground provides intimacy and colour, the trees to the sides provide a sense of protection and generally frame the view from the property. 

Height changes across to a distant view of the Andes are further essential ingredients that make this an incredibly satisfying landscape as the morning mist rises in the valley. 


Mallorcan pool travertine

For the landscaping of a hotel on Mallorca, out went the current British outdoor hardscape staples of York stone and concrete, and in came Travertine. 

A material favoured by architects for offering that modern sleek look, Mies van der Rohe used it throughout his long and successful career from his 1930s German Pavilion in Barcelona to his numerous 1950s and 60s office skyscrapers in the States. 

Travertine’s use in the landscape succeeds and is justified under the golden glow of the Mediterranean sun. Quickly gaining patina and age, feet love it. It needs regular cleaning and in swimming pool areas with clean feet it is safe. 

The trick is to use travertine in large outdoor open spaces, it needs to be left blank, open, whole. Teamed with sand coloured mosaic tiles the swimming pool at the Mallorcan hotel is allowed to truly reflect the nuanced colours of the sky through the passing day, sympathetically framed by the warmth of this rich Mediterranean stone.